Generation Warriors Page 12

  "She's Fleet, remember? Under orders. I'm civilian." Sort of, she thought to herself, wondering just what status she did have. Coromell had recruited her: was that official? The Venerable Master Adept seemed to have connections to Fleet she had never quite understood. But surely he wasn't a Fleet agent? Sassinak had sent her to Liaka with the same assurance she'd have sent one of her own officers. "I wouldn't have starved, no. You're right about that. But by the time I left Liaka, I still didn't have my accumulated back pay. It would come, they assured me, but it was sticking in someone's craw to pay me for forty-three years of coldsleep. All I really wanted was the credit for time awake, but . . ." She shrugged. "Bureaucrats."

  "We are difficult sometimes." He was smiling, but she wondered why he had intruded his position again.

  They finished dinner with little more conversation, then went to the concert. Zebara's rank meant excellent seats, a respectful usher, and a well of silence around them, beyond which Lunzie could just hear curious murmurs. She glanced down at the program. She had never heard of Zilmach or his (her?) epic work. The program cover showed two brawny heavyworlders lifting a spaceship overhead. She didn't know if that was a scene from the work she would hear or the logo of the Diplo Academy of Music. She nudged Zebara.

  "Tell me about this."

  "Zilmach, a composer you won't have heard of, spent twenty years on this, working from the series of poems Rudrik wrote in the first Long Freeze on Diplo. Rudrik, by the way, died of starvation, along with some forty thousand of those early colonists. It's called Bitter Destiny and the theme is exploitation of our strength to provide riches for the weak. You won't like the libretto, but the music is extraordinary." He nuzzled her neck and Lunzie managed not to jump. "Besides, it's loud, and we can talk if we're careful."

  "It's not rude?"

  "Yes," he said quietly into her ear, "But there are segments in which almost everyone gets affectionate; you'll know."

  Zilmach's epic work began with a low moaning of strings and woodwinds, plus a rhythmic banging on some instrument Lunzie had never heard before: rather like someone whacking a heavy chain with a hammer. She ventured a murmured question to Zebara who explained that it represented the pioneers chipping ice off their machinery. Zilmach had invented the instrument in the course of writing the music.

  After the overture, a massed chorus marched in singing. Lunzie felt goosebumps break out on her arms. Although she had told herself that the heavyworlders must have creative capacity, she had never truly believed it. She had never seen any of their art, or heard their music. Now, listening to those resonant voices filling the hall easily, she admitted to herself just how narrow-minded she'd been. The best she'd been able to imagine was "kind" or "gentle." But this was magnificent.

  She did not enjoy the staged presentation of the lightweight "exploiters." Although seeing massive heavyworlders pretending to be tiny fragile lightweights cringing from each other had the humor of incongruity. She remembered having seen a cube of an Old Earth opera in which a large lady with sagging jowls was being serenaded as a "nymph."

  But the voices! She had imagined heavyworlder music as heavy, thumping, unmelodic . . . and she'd been wrong.

  "It's beautiful," she murmured to Zebara, in a pause between scenes.

  "You're surprised." It was not a question. She apologized with her expression as the music began again. He leaned closer. "Don't worry. I thought you'd be surprised. And there's more."

  "More" included a display of gymnastics representing shifting alliances in the commercial consortium that had (according to the script) dumped ill-prepared heavyworlder colonists on a planet that suffered predictable, but infrequent, "triple winters." Complex gong music apparently intimated the heartless weighing of profit and loss (a balance loaded with "gold" bars on one side and limp heavyworlder bodies on the other) while the corporate factions pushed on the balance and each other, and leapt about in oddly graceful contortions.

  Diplo's gravity prevented any of the soaring leaps of classical ballet but quick flips were possible and used to great effect. A scene showing the luxurious life of lightweights in space was simply ludicrous. Lunzie had never seen anyone aboard a spaceship lounging in a scented fountain while a heavyworlder servant knelt with a tray of fruit. But overall she remained amazed with the lush, melodic sound and the quality of the voices.

  Those segments in which, as Zebara promised, "everyone gets affectionate" depicted the colonists fighting off the depression of that long winter with song and love. Or lust. Lunzie wasn't sure. Perhaps the colonists hadn't been sure, either. But they had been determined to survive and have descendants.

  Duet followed duet, combined into a quartet praising "love of life that warms the heart," Then a soprano aria from a singer whose deep, dark, resonant voice throbbed with despair before rising slowly, impossibly, through three octaves to end in a crystalline flourish which the singer emphasized by a massive fist, shaking at the wicked lightweights in their distant ships.

  Finally the male chorus of colonists, who had chosen to starve voluntarily so that children and pregnant women might have a chance to survive, made their final vows, led by a tenor whose voice soared to nearly the same dynamic height as the soprano.

  "To you, the children of our dreams, we leave the bread of life!" Lunzie felt tears stinging her eyes. "We ask but this! That you remember . . ."

  The voices faded, slowly dropping to a complex chant. The music and the rich incense flowing from the censers onstage were enough to get anyone's hormones moving. She let her head sag toward Zebara's shoulder. "Good girl," he murmured.

  Around them, rustling indicated that others, too, were changing their positions. Suddenly Lunzie felt something bump her legs, and realized that the seats in this section reclined completely. The armrest between hers and Zebara's retracted. Onstage, the music swelled as the lights dimmed. Clearly, an invitation to Zilmach's epic meant more than just listening to the music.

  At the same moment that she wondered how she was going to get out of what was clearly intended, she remembered her pressure garment, and sniggered.

  "What?" he asked. His arm lay heavily on her shoulders; his broad hand stroked her back.

  "An element of lightweight weakness your producers forgot to show," Lunzie said, trying to control her laughter. "This thing we have to wear. Very inefficient at moments like this."

  Zebara chuckled. "Dear Lunzie, I have no intention of forcing you. You might get pregnant. You're young enough. You don't want my child, and I don't want the responsibility. But we are expected to whisper sweet nothings in each others' ears. If the sweets are not nothings, who's to know?"

  This was no time to ask if Diplo External Security had the same kinds of electronics Fleet used, which could have picked up the rumbles from dinner in her stomach, let alone anything she and Zebara might whisper. If they didn't, they didn't need to know about it. If they did, she had to hope Zebara had only one double-cross in mind.

  "So, how long does this last?"

  "Several looong minutes. Don't worry. Well have plenty of warning before it's over. There's the funeral scene coming up and the decision whether or not to eat the bodies. So let's use this interval to find out the things I must know. Who sent you here and what are you trying to find?"

  Lunzie could not answer at once. She had not thought that even a heavyworlder could mention cannibalism so calmly. Another blow to her wish to trust him. His tongue flicked her ear, gaining all her attention easily.

  "Lunzie, you cannot expect me to believe you came here just to get over your fear of heavyworlders. Ireta would have left you even worse. You could not care that much how we experience coldsleep or what it does to us. You are here for a purpose. Either your own, or someone else's, and I must know that if I am to keep you safe."

  "You've told me your government wants you to use our old relationship. How can you ask me to confide in you first?" That was lame, but the best she could do with cannibalism still on her mind.

&
nbsp; "I want my grandchildren to live! Really live. I want them to have enough food, freedom to travel, to get education, to work where they want. You want that for your descendants. In that we agree. If war breaks out between our peoples, none of our descendants will have the lives we want for them. Can't you see that?"

  Lunzie nodded slowly. "Yes, but unless your people quit working with planet pirates I don't see what's to stop it."

  "Which they won't do, unless they see a better future. Lunzie, I want you to be our advocate, our spokeswoman to the Council. You have suffered from us but you have also seen, perhaps understood, what we are, what we could be. I want you to say 'Give the heavyworlders hope! Give them access to normal-G worlds they can live on, worlds like Ireta. Then they won't have reason to steal them.' But as long as you are here to collect evidence proving how bad we are."

  "Not all of you."

  Lunzie caught a flicker of movement near them, above them, and curled into Zebara's embrace. Perhaps someone needed the restrooms, sidling along between the seat sections. Or perhaps someone wanted to know what they were saying.

  "You're different. The patients I've met here are not like those who hurt me." She felt under her hands his slight tension. He, too, had noticed that shadowy form edging past them.

  "Dear Lunzie." That ended in a kiss, a curiously grandfatherly kiss of dry lips. Then he sighed, moved as if slightly cramped, and laid his hand back on her hair.

  "Who? Please tell me!"

  She decided to give him a little, what he might have tapped from Fleet communications if his people were good enough.

  "Sassinak. She wanted to know if the Governor were officially involved in Ireta. Captain Cruss, the heavyworlder on that colony ship, thought so. The Theks got it out of him. With Tanegli's trial coming up, she wanted to know whether to suggest that the Fleet subpoena the Governor."

  "Ahhh. About what we thought. But how were you, a physician, supposed to find out such things?"

  "I'd told her about you. She said I should come." That wasn't quite accurate, but if he believed she had been pushed into it, he might be sympathetic.

  "I see. Your descendant, being a professional, does not consider your feelings, your natural reluctance. Not very sensitive, your Sassinak."

  "Oh, she is," Lunzie said quickly. "She is sensitive, she just . . . She just thinks of duty first."

  "Commendable in a Fleet officer, no doubt, but not in a great-great-great-granddaughter. She should have more respect."

  "It's a problem," Lunzie admitted. "But she's actually older than I am—real time, at least—and she has trouble seeing me as her elder. We both do." She squirmed a little getting a stiff wrinkle out from under her hip. "But that's why I came . . . really."

  "And I am to offer you just the information you seek, and ask you to smuggle out more. But you will be found to have instead information of great commercial value. You will be discredited as a commercial spy, detained long enough that you cannot testify against Tanegli. Your taped evidence will not be nearly as effective, and if Kai and Varian are not there . . ."

  "Why shouldn't they be?"

  "Contract scientists with EEC? Easy enough to send an all too special ship to collect them to attend the Assizes. It should not be hard for those with adequate resources to be sure they arrive late. Or not at all."

  Lunzie shivered. How could she warn Kai and Varian?

  Why hadn't she thought of them before? She had assumed that, as civilians, they would be allowed to go about their new responsibilities on Ireta. She should have known better.

  "It is not just heavyworlders," Zebara murmured, as if he'd read her mind. "You know there are others?" Lunzie nodded.

  Any of the commercial entities would find greater profit in resource development without regulation. Humans and aliens both. She had heard of no society so idealistic that it had no criminals among it. Perhaps the Ssli, she amended: once sessile, how could they do anything wrong, in anyone's terms? But here and now?

  "Seti!" came Zebara's murmur. "They've used us, pretended sympathy for our fate, for having been genetically altered. But they despise us for it, as well."

  She nodded against his chest, trying to think. The Seti predated human membership in the FSP, though not by much. They were difficult, far more alien-seeming, and less amusing, than the Ryxi or Wefts. They had destroyed a Weft planet and later claimed to have done so accidentally, not knowing of the Wefts they killed. And the Thek!

  "It's three-cornered, really." Zebara nuzzled her hair a long moment and she felt the draft of someone's movement past them again. "Our Governor's worked for the Pralungan Combine for over twenty years. He's been paid off in money, shares, and positions for his relatives. The Combine gets strong backs for its internal security forces, industrial enforcers. Even private troops. Crew for illegally armed vessels to fight Fleet interference. Your Sassinak's been a major problem for us, by the way. She gets along too well with her heavyworlder marines. That word's spread and we have too many youngsters thinking of Fleet as a future. Not to mention the number of ships she's blown up in her career. Also, the Seti have some gain of their own we haven't quite figured out. They want some of the planets we've taken: mostly those unsuitable for human settlement. They're funneling money into the Combine and the Combine funnels some, as little as they can, to us."

  It was almost too much to take in. "What do you want me to do?" asked Lunzie.

  "Get the real data out. Not the faked stuff you're supposed to be caught with. You'll have to leave before your team. It's supposed to look as if you're fleeing with stolen information. And if you don't, they'll know I didn't convince you. But you can leave before even they expect it. I can say you double-crossed me, used the pass you were given too soon."

  It sounded most unlikely. No lightweight could get offplanet unnoticed. Surely they would be watching her. If she tried to bolt, they would simply call Zebara to check. And then find on her the real data, dooming both of them. She said this, very fast and very softly, into his ear. He held her close, a steady grip that would have been calming if her mind had not gone on ahead to the obvious conclusion.

  He did not mean her to escape as a lightweight: as someone walking up the ramp, opening her papers for inspection at the port, climbing into her seat in the shuttle. He had something else in mind, something that would not be so obvious. The possibilities scrolled through her mind as if on a screen. As cargo? But an infrared scan would find her. As— She stiffened, pulled her head back, and tried to see his face in the darkened hall. "Not in coldsleep." She meant it to be non-negotiable.

  "I'm sorry," he said, into her hair.

  "No." Quietly, but firmly, and with no intention of being talked into it. "Not again."

  At that very inopportune moment, the softly passionate music stopped, leaving the hall in sudden silence interspersed with rustling clothing. The silence lengthened. A single drumbeat, slow, inexorable, signaled a dire event, and the back of her seat shoved her up, away from Zebara. The armrest slid upward between them. The footrest dropped. Another drum joined the first, heavy, sodden with grief. Muted brass, one grave note after another followed the drums. Onstage, lights showed the barest outline of a heap of bodies, of sufferers still alive and starving. The sacrifice had not been enough. They would all die after all. A child's soprano, piercing as a needle, cried out for food, and Lunzie flinched. The alto's voice replying held all history's bitterness.

  Surely it had not really been this bad! It could not have been! The rigid arm of the man beside her insisted it was, it had been. He believed it so, at least, and he believed the future might be as bleak. Lunzie swallowed, fighting nausea. If they actually showed cannibalism onstage . . . but they did not. A chorus of grieving women, of hungry children. One suggested, the others cried out in protest, and this went on (as so often in operas) somewhat longer than was necessary to convince everyone that both sides were sincere.

  One after another came over to the side of horror, for the children's sake, b
ut it was, in the end, a child who raised a shaking arm to point at the new element in the crisis. The new element, presented onstage as a fur-coated robot of sorts, was the native grazer of the tundra. Shaggy, uncouth, and providentially stupid, it had been drawn by the warmth of the colonists huts from its usual path of migration. The same woman who had been ready to put the dead into a synthesizer now wrestled the shaggy beast and killed it: not without being gored by two of its six horns. Whereupon the survival of the colony was assured so long as they were willing to kill and eat the animals.

  One alone stood fast by the Federation's prohibition, and threatened to reveal what they'd done. She was prevented from sending any message and died by her own hand after a lengthy aria explaining why she was willing to kill not only herself but her unborn child.

  "That none of my blood shed sentient blood, so precious is to me . . ."

  Lunzie found herself more moved by this than she had expected. Whether it was true or not, whether it had happened at all, or for these reasons, the story itself commanded respect and pity. And it explained a lot about the heavyworlders. If you believed this, if you had grown up seeing this, hearing this gorgeous music put to the purpose of explaining that the lightweights would let forty thousand people die of cold and starvation because it was inconvenient to rescue them, because it would lower the profit margin, then you would naturally distrust the lightweights, and despise their dietary whims.

  Would I have eaten meat even after it had been through the synthesizer? she asked herself. She let herself remember being pregnant, and the years when Fiona had been a round-faced toddler. She would not have let Fiona starve.

  In a grand crashing conclusion, the lightweights returned in a warm season to remonstrate with the colonists about their birthrate and their eating habits. The lead soprano, now white-haired and many times a grandmother, the children clustered around her as she sang, told them off in ringing phrases, dizzying swoops of melody that seemed impossible to bring from one throat. The colonists repudiated the lightweights' claims, refused to submit to their rules, their laws, demanded justice in the courts or they would seek it in their own way.